Portrait Painter



  1. Portrait Painter App
  2. Portrait Painter
  3. Portrait Painter Rembrandt Nyt Crossword
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New in PortraitPro 21

  • Baroque painter Claude Lorrain is known for his idyllic portrayals of allegorical scenes rooted in either the bible or in classical mythology. Pastoral Landscape is one work that aptly conveys this interest. Notice the Roman ruins on the horizon! Thomas Gainsborough, Portrait of Mr and Mrs Andrews (1749-1750).
  • 2 Appealing ― does the portrait artist make a great first impression? Look for an artist whose watercolor portraits and pencil portraits make you smile. 3 Consistent ― is the portrait artist consistent? Look for an artist with lots of samples. If the sample pencil portraits and watercolor portraits are all good, then your portrait will be.

Lovett is an international, award winning portrait artist and master oil painter. He is an associate living master at ARC (Art Renewal Center), and is represented by Rehs Gallery NY, NY. A portrait painting or drawing depicts the image of a particular person or animal, or group thereof. The subject of a portrait is usually called a 'sitter', because traditionally people would sit in front of the artist to have their portrait painted. Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is a painting by Gustav Klimt, completed between 1903 and 1907.The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer , a Jewish banker and sugar producer.

PortraitPro 21 offers all new and improved features designed to deliver professional results in minutes.

  • Sky Replacement technology allows you to instantly swap skies in and out of your photographs.
  • Remove and reduce noise without sacrificing image quality.
  • Modify shadows and brightness with new Light Brushes.
  • Effortlessly customize hair with the new Hair Highlighting feature.
  • Color Styles simplify complex editing processes and introduce colorful effects to help lead you in new artistic directions.

These are just some of the new elements offered in PortraitPro 21.

New PortraitPro 21 out now

  • Improved Skin and Hair Finder
  • Sky Replacement
  • De-noiser
  • Light Brushes
  • Hair Highlighting

Fast, easy photo editing software

PortraitPro is the world’s best-selling retouching software. Using Artificial Intelligence, PortraitPro enhances every aspect of a portrait for beautifully natural results.

1 Automatically detect facial features, age, and gender of your subject

2 Instant, easy retouching with customizable beautification presets

3 Automatic selection of skin, hair, and background

Portrait painter rembrandt

4 Fully adjustable correction and retouch sliders

Fast, easy photo editing software

PortraitPro is the world’s bestselling portrait retouching software using state-of-the-art artificial intelligence. The complete package for editing workflows, PortraitPro retouches every aspect of your portraits for beautiful, professional results.

Clone tool

Easily copy exact details and color from one area of your image to another. The Clone Tool is great for retouching projects that require a little more precision.

Clone tool

Portrait Painter App

Easily copy exact details and color from one area of your image to another. The Clone Tool is great for retouching projects that require a little more precision.

Sky replacement

PortraitPro 21 will now automatically mask and blend your photographs, tweaking the tones of the foreground to match the new sky, leaving you with impressive yet realistic results.

Lighting brushes

Paint with light, color, and shadows to alter the appearance of, or add new lighting sources.

Lighting brushes

Paint with light, color, and shadows to alter the appearance of, or add new lighting sources.

What can PortraitPro do?

Skin Smoothing - ClearSkin™ 5 is a skin smoothing tool designed to give truly natural results. Exclusive to PortraitPro, it reproduces your subject’s existing skin texture while subtly removing blemishes and shadows.

3D Relighting - Apply studio lighting to your portraits using PortraitPro’s relighting tools and brushes. Correct unflattering shadows, add dimension, and alter light sources from your computer.

Expression Tools - By automatically detecting facial features, PortraitPro allows you to change or enhance your subject’s expressions, intensifying the overall appearance of your portrait.

AI face detection

No more wasting time with manual selections and complex masks. Using the latest development in deep learning and image recognition, PortraitPro offers the most accurate feature finding offered by any photo editing software.

Natural skin smoothing

PortraitPro 21 uses a bespoke skin smoothing tool designed to give uniquely beautiful and organic results. Exclusive to PortraitPro, ClearSkin™ reproduces your subject’s existing skin texture whilst subtly removing blemishes and shadows. Achieve authentically soft, glowing skin whilst still maintaining natural-looking texture.

Skin smoothing

PortraitPro 21 uses ClearSkin ™ technology to reproduce your subject’s existing skin texture whilst subtly removing blemishes and unwanted shadows.

Realistic digital makeup

Based on years of research and work alongside world leaders in cosmetics and beauty, PortraitPro offers a full range of digital makeup, creating fashionable and flattering makeup looks in a variety of styles.

  • Enhance eyes with darker lashes, eyeliner, eyeshadow and mascara.
  • Use highlighter and bronzer to contour the face.
  • Include blush for a natural glow.
  • Add lipstick in a range of colors and realistic textures.
  • Create subtle looks or dramatic, high-fashion styles.

Digital makeup

Accentuate fashion photography with dramatic digital makeup, or add subtle enhancements for a natural everyday glow.

Image relighting

With PortraitPro 21, you can produce a wide range of digital lighting effects that adapt to your subject’s features. The new and improved fix light tool smooths and brightens skin for a healthy, fresh look while the modelling light tool highlights bone structure for a more dramatic look.


Adjust the direction and color of the light source using the simple interface to match and enhance the existing lighting in your scene.

Image relighting

The new and improved fix light tool smooths and brightens skin for a healthy, fresh look while the modelling light tool highlights bone structure for a more dramatic look.

Eye enhancement

PortraitPro allows you to easily modify highlights, shadows, and apply professional sharpening to help all eyes look extraordinary.

  • Change the iris color and daken or adjust pupils
  • Sharpen eyes and eyelashes.
  • Whiten and clean eyes.
  • Remove red-eye.
  • NEW adjustable catch lights and reflections.

Hair color & highlights

PortraitPro 21's improved hair masking and selection makes hair editing easier than ever.


  • Choose from 40 base shades and easily select new coloring.
  • Customize each color with a range of sliders.
  • Boost volume and shine for a luxurious lift.
  • NEW add highlights and balayage without the need for a salon.

Hair color & highlights

PortraitPro 21’s improved hair masking and selection makes hair editing as easy as ever. Change color or add highlights at the touch of a button.

Portrait Painter

Smart Filter

Smart Filter

Exclusive to PortraitPro Studio and Studio Max: Streamline your workflow with Smart Filter Capability. Switch effortlessly between Photoshop and PortraitPro for optimum customization.

Exclusive to PortraitPro Studio and Studio Max: Streamline your workflow with Smart Filter Capability. Switch effortlessly between Photoshop and PortraitPro for optimum customization.

Raw processing

For those who shoot the best quality images.


  • Read Camera RAW & DNG files.
  • Read and write TIFFs and PNGs with 16 bits per color sample.
  • Set monitor and workspace color profiles.

Exclusive to the Studio and Studio Max editions.

Raw processing

  • Read Camera RAW & DNG files.
  • Read and write TIFFs and PNGs with 16 bits per color sample.
  • Set monitor and workspace color profiles.

Portrait Painter Rembrandt Nyt Crossword


Exclusive to the Studio and Studio Max editions.

Automatic batch processing

PortraitPro Studio Max makes retouching your photos even faster by taking away most of the manual work. Simply select the images you wish to edit, select your presets, and let the software do the rest.


“For photographers who do large numbers of portraits in a session… the batch processing capabilities in PortraitPro Studio Max can erase the burden of their workflows tremendously” – Rangefinder Magazine.

PortraitPro Studio &
Studio Max

PortraitPro comes in three editions to suit your needs. For keen amateurs, PortraitPro Studio includes new Smart Filter functionality for Photoshop as well as handling RAW files directly and supporting different color spaces.


PortraitPro Studio Max has an automatic batch mode to process a whole photo shoot with just a few clicks.


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PortraitPro Studio &
Studio Max

PortraitPro comes in three editions to suit your needs.

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Alternative Title: “La Gioconda”

Mona Lisa, also called Portrait of Lisa Gherardini, wife of Francesco del Giocondo, Italian La Gioconda, or French La Joconde, oil painting on a poplar wood panel by Leonardo da Vinci, probably the world’s most famous painting. It was painted sometime between 1503 and 1519, when Leonardo was living in Florence, and it now hangs in the Louvre Museum, Paris, where it remained an object of pilgrimage in the 21st century. The sitter’s mysterious smile and her unproven identity have made the painting a source of ongoing investigation and fascination.

Who was the Mona Lisa in real life?

There has been much speculation and debate regarding the identity of the Mona Lisa’s sitter. Scholars and historians have posited numerous possibilities, including that she is Lisa del Giocondo (née Gherardini), wife of the Florentine merchant Francesco di Bartolomeo del Giocondo—hence the alternative title to the work, La Gioconda. That identity was first suggested in 1550 by artist biographer Giorgio Vasari.

How many years did it take to paint the Mona Lisa?

Leonardo da Vinci began painting the Mona Lisa in 1503, and it was in his studio when he died in 1519. He likely worked on it intermittently over several years, adding multiple layers of thin oil glazes at different times. Small cracks in the paint, called craquelure, appear throughout the whole piece, but they are finer on the hands, where the thinner glazes correspond to Leonardo’s late period.

Where is the real Mona Lisa kept?

The Mona Lisa hangs behind bulletproof glass in a gallery of the Louvre Museum in Paris, where it has been a part of the museum’s collection since 1804. It was part of the royal collection before becoming the property of the French people during the Revolution (1787–99).

What is the value of the Mona Lisa?

The Mona Lisa is priceless. Any speculative price (some say over a billion dollars!) would probably be so high that not one person would be able or willing to purchase and maintain the painting. Moreover, the Louvre Museum would probably never sell it. The museum attracts millions of visitors each year, most of whom come for the Mona Lisa, so a steady stream of revenue may be more lucrative in the long run than a single payment. Indeed, the museum considers the Mona Lisa irreplaceable and thus spends its resources on preventive measures to maintain the portrait rather than on expensive insurance that can only offer mere money as a replacement.

Why is the Mona Lisa so famous?

Many theories have attempted to pinpoint one reason for the art piece’s celebrity, including its theft from the Louvre in 1911 and its tour to the U.S. in 1963, but the most compelling arguments insist that there is no one explanation. The Mona Lisa’s fame is the result of many chance circumstances combined with the painting’s inherent appeal.

Subject

The painting presents a woman in half-body portrait, which has as a backdrop a distant landscape. Yet this simple description of a seemingly standard composition gives little sense of Leonardo’s achievement. The three-quarter view, in which the sitter’s position mostly turns toward the viewer, broke from the standard profile pose used in Italian art and quickly became the convention for all portraits, one used well into the 21st century. The subject’s softly sculptural face shows Leonardo’s skillful handling of sfumato (use of fine shading) and reveals his understanding of the musculature and the skull beneath the skin. The delicately painted veil, the finely wrought tresses, and the careful rendering of folded fabric demonstrate Leonardo’s studied observations and inexhaustible patience. Moreover, the sensuous curves of the sitter’s hair and clothing are echoed in the shapes of the valleys and rivers behind her. The sense of overall harmony achieved in the painting—especially apparent in the sitter’s faint smile—reflects Leonardo’s idea of the cosmic link connecting humanity and nature, making this painting an enduring record of Leonardo’s vision. In its exquisite synthesis of sitter and landscape, the Mona Lisa set the standard for all future portraits.

There has been much speculation and debate regarding the identity of the portrait’s sitter. Scholars and historians have posited numerous interpretations, including that she is Lisa del Giocondo (née Gherardini), the wife of the Florentine merchant Francesco di Bartolomeo del Giocondo, hence the alternative title to the work, La Gioconda. That identity was first suggested in 1550 by artist biographer Giorgio Vasari. Another theory was that the model may have been Leonardo’s mother, Caterina. That interpretation was put forth by, among others, Sigmund Freud, who seemed to think that the Mona Lisa’s mysterious smile emerged from a—perhaps unconscious—memory of Caterina’s smile. A third suggestion was that the painting was, in fact, Leonardo’s self-portrait, given the resemblance between the sitter’s and the artist’s facial features. Some scholars suggested that disguising himself as a woman was the artist’s riddle. The sitter’s identity has not been definitively proven. Numerous attempts in the 21st century to settle the debate by seeking Lisa del Giocondo’s remains to test her DNA and recreate an image of her face were inconclusive.

History

Leonardo da Vinci began painting the Mona Lisa about 1503, and it was in his studio when he died in 1519. He likely worked on it intermittently over several years, adding multiple layers of thin oil glazes at different times. Small cracks in the paint, called craquelure, appear throughout the whole piece, but they are finer on the hands, where the thinner glazes correspond to Leonardo’s late period.

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French King Francis I, in whose court Leonardo spent the last years of his life, acquired the work after the artist’s death, and it became part of the royal collection. For centuries the portrait was secluded in French palaces, until insurgents claimed the royal collection as the property of the people during the French Revolution (1787–99). Following a period hanging in Napoleon’s bedroom, the Mona Lisa was installed in the Louvre Museum at the turn of the 19th century.

In 1911 the painting was stolen, causing an immediate media sensation. People flocked to the Louvre to view the empty space where the painting had once hung, the museum’s director of paintings resigned, and the poet Guillaume Apollinaire and artist Pablo Picasso were even arrested as suspects. Two years later an art dealer in Florence alerted local authorities that a man had tried to sell him the painting. Police found the portrait stashed in the false bottom of a trunk belonging to Vincenzo Peruggia, an Italian immigrant who had briefly worked at the Louvre fitting glass on a selection of paintings, including the Mona Lisa. He and possibly two other workers had hidden in a closet overnight, taken the portrait from the wall the morning of August 21, 1911, and run off without suspicion. Peruggia was arrested, tried, and imprisoned, while the Mona Lisa took a tour of Italy before making its triumphant return to France.

During World War II the Mona Lisa, singled out as the most-endangered artwork in the Louvre, was evacuated to various locations in France’s countryside, returning to the museum in 1945 after peace had been declared. It later traveled to the United States in 1963, drawing about 40,000 people per day during its six-week stay at the Metropolitan Museum of Art in New York City and at the National Gallery of Art in Washington, D.C. It also toured to Tokyo and Moscow in 1974.

Condition

Scholars have noted that the Mona Lisa is in fairly good condition for its age. The poplar panel shows some evidence of warping from resistance to its original frame and to braces added by early restorers. To prevent the widening of a small crack, visible near the centre of the upper edge of the painting, dovetails were added to the back of the painting. Restorers later pasted heavy canvas over the crack and replaced the top dovetail.

The glass protecting the Mona Lisa was replaced with a bulletproof case after several attacks in 1956, one of which damaged an area near the subject’s left elbow. The Mona Lisa thus escaped harm from acts of vandalism in 1974 during the work’s visit to Tokyo and in 2009 when a museumgoer threw a ceramic mug at it.